Showing posts with label High Fidelity. Show all posts
Showing posts with label High Fidelity. Show all posts

Monday, July 11, 2011

The dopest part of DJ Jazzy Jeff and Mick Boogie's Summertime 2 mixtape: The unexpected appearance of Stevie Wonder's "Love Light in Flight"

'Fuel injection passion' was less expensive in 1984.
(Photo source: Tommer G)

Thanks to the High Fidelity scene in which Jack Black disses the sappy and overplayed Woman in Red theme "I Just Called to Say I Love You," Stevie Wonder's Woman in Red soundtrack has become a punchline, much like Prince's Batman song soundtrack, which was the subject of a similar gag in Shaun of the Dead. Another thing that both those '80s song soundtracks have in common is that though those albums aren't exactly career highlights for either artist, they aren't exactly awful either. They're redeemed by two or three underappreciated tracks.

"Love Light in Flight" is one of those tracks, and it's a song I hadn't heard since 1984 or 1985--until I recently stumbled into it during DJ Jazzy Jeff and Mick Boogie's Summertime 2 mixtape and instantly smiled, which is why I just added "Love Light in Flight" to A Fistful of Soundtracks' '80s block "Soda and Pie" (Fridays, Saturdays and Sundays at noon).

'Yo Will, something about you looks different. Did you get new Jordans?'
"Drums, please!"

"Oh man," I thought to myself while bumping Summertime 2, "I remember 'Love Light in Flight.' It so takes me back to when I was a Ghostbusters-loving kid in '84!" It's such a damn smooth track--plus it's full of aviation imagery, which would have made it perfect for the flight-themed "Up, Up and Away" episode of the terrestrial radio incarnation of A Fistful of Soundtracks that I aired on July 22, 2001.

I know where this is going. Cue 'Love in an elevator/Livin' it up when I'm goin' down...'
Suddenly, Gene Wilder is faced with a crippling decision: Kelly LeBrock or the sheep that's waiting for him at home?

"Love Light in Flight" is the one hit song from The Woman in Red that's neither overplayed nor preachy (that would be the well-meaning but clunkily written "Don't Drive Drunk"). Camille Paglia may be a pretentious, Sarah Palin-loving weirdo (her Salon Oscar telecast recaps were always worthy of an Onion parody), but she's right that "Love Light in Flight" is a sublime tune.

Thursday, January 13, 2011

"Rock Box" Track of the Day: Stevie Wonder, "I Believe (When I Fall in Love It Will Be Forever)"

They forgot to add Most Valuable Player to Kathy Nelson's on-screen credit.

Song: "I Believe (When I Fall in Love It Will Be Forever)" by Stevie Wonder
Released: 1972
Why's it part of the "Rock Box" playlist?: It's featured in High Fidelity, which was where I first heard this overlooked Wonder tune.
Which moment in High Fidelity does it appear?: The closing credits, which are a special treat for fontophiles like myself. Mmm, Stencil...

About a Boy, another great Nick Hornby adaptation from the early '00s, attempted to do for Skechers what High Fidelity did for The Beta Band.

Mmm, Eurostile...

Euro my steez.

The characters' hatred of Wonder's '80s and '90s output was the subject of one of Jack Black's key scenes ("Rob, 'Top Five Musical Crimes Perpetrated by Stevie Wonder in the '80s and '90s.' Go."), so it's no surprise that Rob (John Cusack) opted for 1972's "I Believe" while making a mixtape for Laura (Iben Hjejle). "I Believe" is the closing track on Wonder's Talking Book album. In 2005's 1001 Albums You Must Hear Before You Die, Stevie Chick wrote that "'I Believe' finds Stevie's heart broken, but his belief in love still intact"--much like Rob at the end of the film.

Thursday, December 30, 2010

This is literally my "Rock Box"

Greatest product Adidas ever made: the sneaks Run-DMC used to rock. Worst product Adidas ever made: those goddamn sandals Mark Zuckerberg always wears--even to formal business meetings, for Christ's sakes! The Adidas brand and ugly-looking sandals go together like Motown and Phil Collins.
I like to use shoeboxes to store the complete runs of three of my favorite comic book series--Y: The Last Man, Gotham Central and the Vertigo version of Human Target (Y ran for 60 issues, Gotham Central lasted for 40 and Human Target had 21, so the complete run of each title can easily fit in a shoebox). I also sometimes use shoeboxes as portable filing cabinets for CDs that have to be utilized for AFOS. One of these boxes contains the CDs that carry all the non-score music tracks (a.k.a. existing songs) I have to presently re-edit and re-upload to my Live365.com music library without the old AFOS "F Zone" sweepers they used to open with--all in time for the "F Zone" programming block's name change to "Rock Box" on January 3.

The time slots for "Rock Box" on AFOS are 4-6am, 9-11am and 3-5pm on Mondays and 5-7am, 9-11am and 3-5pm on Fridays.

I'll miss the Boondocks animated series. It had the most interesting soundtrack for an animated series from 2005 to 2010 outside of The Venture Bros. You'd never hear a DOOM track on The Simpsons or South Park, that's for damn sure.
"Always funky fresh, could never be stale"--Run, "Rock Box"