Showing posts with label Duck You Sucker. Show all posts
Showing posts with label Duck You Sucker. Show all posts

Wednesday, March 21, 2012

March Madness March of the Day: "March of the Beggars" from Duck, You Sucker by Ennio Morricone

'To Taco Bell, everyone! I wanna try that pinche taco shell made out of a Dorito! What other kinds of stupid shit will these gringos come up with next?'
In Sergio Leone's off-center 1971 western Duck, You Sucker (a.k.a. A Fistful of Dynamite, which was what American distributor United Artists called the film in their badly butchered version, and Giù La Testa, which is Italian for "Keep your head down"), Mexican peasant bandit Juan Miranda (Rod Steiger) and his extended family of--what else?--bandits are musically represented by goofball vocal effects that simulate belches and hunger noises.

Juan's hungry, particularly for money. "In Juan's mind, money equals religion," said Italian cinema historian Sir Christopher Frayling during Duck, You Sucker's 2007 MGM DVD commentary. So throughout the film, Ennio Morricone's comedic "March of the Beggars" theme features a chorale and church organ, like when the march receives its fullest, march-iest and most rapturous statement during the sequence where Juan and his crew break into the Banco Nacional de Mesa Verde with the help of explosives supplied by their new criminal accomplice, Irish revolutionary Sean Mallory (James Coburn).

Leone modeled the Duck, You Sucker bank set piece after a scene from Charlie Chaplin's Modern Times where The Tramp picks up a red flag that fell off a truck and as he waves at the truck to turn around and retrieve the flag, a crowd of protesting workers marches behind him and the police mistakes him for their leader and arrests him. Juan accidentally becomes a hero of the Mexican Revolution--Sean didn't tell him the bank was converted into a political prison and its stash was transferred to another location weeks before--after Juan unlocks the bank's vaults to find political prisoners instead of loot and winds up liberating those prisoners.

When Juan starts to shoot the vault doors open, Morricone's orchestra slips in Mozart's "A Little Night Music." I don't understand why there's a Mozart shout-out during a bank raid sequence, but who cares? It's Morricone... being Morricone.

Friday, March 18, 2011

"A Fistful of Soundtracks can be a blast to listen to. Duck, you sucka!"

Every time I see this freeze frame of a puzzled Rod Steiger facing the camera, I keep expecting to hear the Scooby Gang sing 'Where Do We Go from Here?'

We interrupt my work on a drawing of the three members of De La Soul for my currently-in-the-works, to-be-self-published book to bring you this special bulletin.

I don't know what Crutchfield is--the name sounds like a Syfy Original Movie(*) ripoff of Cloverfield--but I'd like to thank the site for a mostly positive review of the Fistful of Soundtracks channel that it posted a few weeks ago.

(*) Speaking of which, Battle of Los Angeles? Really, Syfy? Next time you run out of title ideas for your original movies, how about you take a cue from your own station tagline and imagine greater?

A mostly positive review of the Fistful of Soundtracks channel, posted by a Syfy Original Movie ripoff of Cloverfield

I've seen so many blogs with kind things to say about AFOS--and I always appreciate that--but they always get one or two tidbits about AFOS or me wrong. Crutchfield's review has none of that "every now and then it plays a random old movie trailer" bullshit. The reviewer actually did his homework and took the time to listen closely and note that "they aren't placed at random. If you hear the trailer for Big Trouble in Little China, you can be sure that the next selection will be from the soundtrack of that film." (However, for some odd reason, he never once uses the word "score" in his review to distinguish between "soundtrack" and "score.")

The reviewer wishes my channel had a better-quality bit rate and is probably wondering why it's just 32 kbps. Lengthy answer: I'm broke.