Showing posts with label Heaven's Gate. Show all posts
Showing posts with label Heaven's Gate. Show all posts
Friday, August 25, 2017
What Game of Thrones needs more than dragonglass is Henry Louis Gates Jr., so that he could stop Jon from banging his Auntie Dany
This is the 10th of 13 or 14 all-new blog posts that are being posted until this blog's final post in December 2017.
Game of Thrones, the most popular TV show in the world right now, is a show I've been ride-or-die for since the eerie White Walker attack that opened its 2011 pilot episode. It's a rare small-screen soap opera in which the action filmmaking on display during certain set pieces--marshaled by directors like Miguel Sapochnik and Breaking Bad veteran Michelle MacLaren, a.k.a. the original director of Wonder Woman before she quit over creative differences with Warner Bros.--is intriguingly on a par with the work of master craftsmen in the action genre like the "Johns": the late John Frankenheimer, John Woo and Johnnie To, Woo's much more grounded (as in there are no fucking doves in his movies) but similarly skilled Hong Kong compatriot.
Labels:
D.B. Weiss,
David Benioff,
Diana Rigg,
Game of Thrones,
George R.R. Martin,
HBO,
Heaven's Gate,
Joel McHale,
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scripted TV,
SNL,
The Avengers,
The Godfather,
The Soup,
Twitter,
Will Ferrell
Wednesday, December 2, 2009
AFOS: "Zero Churn" playlist
Airing next Wednesday at 10am and 3pm on A Fistful of Soundtracks is the Fistful of Soundtracks: The Series episode "Zero Churn" (WEB69) from November 28-December 4, 2005.
All the tracks during "Zero Churn" come from soundtracks to movies that aired on L.A.'s beloved Z Channel in the '70s and '80s (examples include Nashville, The Harder They Come and the much-maligned Heaven's Gate). The ep's title refers to the Z Channel's "zero churn rate," a fancy business term that means subscribers never cancelled the service.
I never heard of the Z Channel--which was a really interesting and ahead-of-its-time cable channel--until I Netflixed the critically acclaimed Z Channel: A Magnificent Obsession documentary by both IFC and director Xan Cassavetes, the daughter of John Cassavetes and Gena Rowlands. My favorite parts of A Magnificent Obsession are the segments about Z Channel fare like Le Magnifique, Laura Antonelli's Mogliamante and Something of Value (interviewee F.X. Feeney, who wrote movie reviews for the listings guide that the channel mailed to its subscribers, does a funny impression of Winston Churchill's appearance in the prologue for Something of Value). And though Quentin Tarantino should really consider switching to decaf, he tells an amusing story in the middle of the doc about watching a tape of a Z Channel presentation of Mogliamante.
In 2005, I thought an AFOS: The Series ep based on A Magnificent Obsession would be a cool idea because the playlist would be eclectic, just like the channel itself was back in the day.
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| "200 Years" |
1. Nino Rota, "La Strada," Fellini & Rota: I Film, Le Musiche--Movies & Music, CAM
2. Jean Constantin, "Générique et Car de Police" (from The 400 Blows), Cannes Film Festival: 50th Anniversary Album, Milan
3. Giovanni Fusco, "Titoli" (from L'Avventura), I Film di Antonioni, Le Musiche di Fusco, CAM
4. The City of Prague Philharmonic, "The Bomb Run" (from Dr. Strangelove), Dr. Strangelove... Music from the Films of Stanley Kubrick, Silva Screen
5. The City of Prague Philharmonic, "Train Montage" (from The Wild Bunch), Cinema Century: A Musical Celebration of 100 Years of Cinema, Silva Screen
6. Bob Dylan, "Knockin' on Heaven's Door" (from Pat Garrett & Billy the Kid), Movie Music: The Definitive Performances, Columbia/Epic/Legacy
7. Jerry Fielding, "On the Road" (from Bring Me the Head of Alfredo Garcia), Bring Me the Head of Alfredo Garcia/The Killer Elite, Intrada
8. Pino Donaggio, "Tema di Clayton" (from Amore piombo e furore, a.k.a. China 9, Liberty 37), Spaghetti Westerns, Volume One, DRG
9. Jimmy Cliff, "The Harder They Come," The Harder They Come, Island
10. Henry Gibson, "200 Years," Nashville, MCA Nashville
11. David Mansfield, "Overture," Heaven's Gate, Rykodisc
12. Ennio Morricone with Gheorghe Zamfir & Edda Dell'Orso, "Cockeye's Song" (from Once Upon a Time in America), The Ennio Morricone Anthology: A Fistful of Film Music, Rhino
13. Piero Piccioni, "La Bella Signora" (from Tutto a posto e niente in ordine, a.k.a. All Screwed Up), (Italian Girls Like) Ear-Catching Melodies, Dagored
14. Gene Wilder and Peter Boyle, "Introduction/Puttin' on the Ritz," Young Frankenstein, One Way
15. Jerry Goldsmith, "Love Theme from Chinatown (End Title)," Chinatown, Varèse Sarabande
Count me as a Heaven's Gate hater, but God, the overture by Mansfield is such a beautiful piece of music.
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