"Rome, Italian Style" Track of the Day: Goldfrapp, "Lovely Head"

Song: "Lovely Head" by Goldfrapp
Released: 2000
Why's it part of the "Rome, Italian Style" playlist?: Trouser Press came up with a good shorthand description for "Lovely Head," the first single off the duo Goldfrapp's debut album Felt Mountain: "If Lee Van Cleef had ever romanced Shirley Bassey, 'Lovely Head,' which sounds like a score in search of a Sergio Leone film, would have been their song."

Ennio Morricone's influence on Alison Goldfrapp and Will Gregory, which they acknowledged in the Felt Mountain liner notes with their shout-outs to Morricone and Leone, is most evident in "Lovely Head." There's whistling, harpsichords, percussion reminiscent of Il Maestro's Sicilian Clan main title theme and a vocal effect that's as bizarre as the coyote howls in the Good, the Bad and the Ugly score, but it's more of a Goldfrapp touch than a Morricone touch. Goldfrapp, who provides the whistling during "Lovely Head," makes her voice sound remarkably like a theremin(*), with the help of a synthesizer that distorts her vocals (her theremin-like howls also turn up during another Felt Mountain cut and "Rome, Italian Style" Track of the Day, "Pilots").

(*) In his intro for the TCM Essentials Jr. broadcast of the theremin-filled Thing from Another World a couple of days ago, host Bill Hader said, "Transformers would be so much better with a theremin." True that.

"Lovely Head" also channels the grandiose sound of the secondary themes John Barry composed for either 007's love interests or the foreign destinations where 007 would shag those love interests. The Bondian strings and drums of "Lovely Head" inspired a YouTuber to replace "All Time High," one of Barry's weakest Bond ballads, with "Lovely Head" in the Octopussy opening titles.

"Rome, Italian Style" Track of the Day: Goldfrapp, "Pilots"

Song: "Pilots" by Goldfrapp
Released: 2000
Why's it part of the "Rome, Italian Style" playlist?: It's like the 007 theme song Goldfrapp always should have gotten to write and record (I don't know what Eon Productions thinks of Goldfrapp, but if I were one of the Broccolis, I'd sign up Goldfrapp to do the next 007 theme). Besides its John Barry-esque sound, "Pilots" is on the playlist because... well, I'll let Alison Goldfrapp describe "Pilots" via an excerpt from an interview she did for LAUNCH in 2000:

"'Pilots' is my sci-fi image, a dream about being inside of this huge black bomber. Rubber radiators for clouds! This idea of feeling very small in the big scheme of things: 'What the f--k am I?' The idea of machinery being your friends. In a city you can hear people everywhere--upstairs, next door, downstairs. But if you're always worried about who's looking in your window, it can be a bit much. But there probably is somebody looking at you from somewhere."

Goldfrapp also captured that feeling of smallness in the big scheme of things in their elegant-looking video for the "Pilots (On a Star)" remix. Too bad I can't embed the video, which is set at a futuristic airport--if it were designed in the '60s by vintage 007 set designer Ken Adam. My favorite part of the video is the hot stewardesses on kick scooters.

"Rome, Italian Style" Track of the Day: Goldfrapp, "Utopia (New Ears Mix)"

Song: "Utopia (New Ears Mix)" by Goldfrapp
Released: 2000
Why's it part of the "Rome, Italian Style" playlist?: The original version of "Utopia" sampled one of Ennio Morricone's Sicilian Clan score cues, but even without that sample, the ethereal New Ears Mix of "Utopia" maintains the original's Morricone-esque feel. Alison Goldfrapp's mostly wordless vocals totally channel Edda Dell'Orso in this version. The New Ears Mix would make for a great opening title theme for a scripted show about parapsychologists or Dark Shadows-esque, non-wimpy vampires or something. In fact, when I wrote a brief treatment for an idea for a paranormal drama set in Amityville, New York, one of my notes said, "The opening theme should be Goldfrapp's 'Utopia (New Ears Mix),' from Café Del Mar, Vol. 8."

Bootylicious Beyonce Bond theme rumors

Beyonce might be a frontrunner for the Quantum of Solace theme, according to the latest rumors surrounding the race to find a singer for the theme, which I've been following with all the tenacity of a political blogger covering the Obama and Clinton campaigns because Bond themes are a favorite topic of mine. If Beyonce does land the job, I wouldn't be surprised if it's partly due to her performance of the 007-style "A Woman Like Me" during Steve Martin's Pink Panther remake.

Like I said in the thread I started over on the Film Score Monthly boards, I'd rather see Portishead or Editors tackle the Quantum of Solace theme, and as someone else suggested, Goldfrapp would be perfect as well.

I've seen some commenters bring up The Last Shadow Puppets as their favorite choice, and I like them too. But the Puppets are unlikely to be hired because their retro sound wouldn't fit the change in tone and direction that's been brought about by the gritty Casino Royale, as an L.A. Times blogger says in his argument that Amy Winehouse would be wrong for the Quantum of Solace theme because her sound is influenced by soul music from the era of Roger Moore, whom Winehouse famously name-dropped in "You Know I'm No Good," and the Daniel Craig movies are doing their damnedest not to recreate the campy Moore era.

However, Beyonce isn't a bad choice. One of the coolest Bond songs that never were, "A Woman Like Me" is a still-unreleased and rather underrated jam. It captures the 007 vibe better than Madonna's "Die Another Day":