The big alley

So it's San Diego Comic-Con time again, huh? Screw the overcrowded and stress-inducing Comic-Con. Here at A Fistful of Soundtracks: The Blog is an Artists' Alley where, like the Artists' Alley down at SDCC, you can find lots of stunning-looking art, but the alley here is a little nicer. It's not crowded, it doesn't smell as strange and there aren't any guys wearing those stupid-looking mandals because they think America wants to see their ugly toes on national TV. (For Christ's sake, you're a grown-ass man. Dress like one. They're called shower shoes for a reason: they're meant only for the shower. The only people who should be wearing open-toed shoes are ladies and Spartacus extras.)

During the week of last year's Comic-Con, the AFOS blog posted several great examples of TV show-inspired artwork. Here's some more standout TV-related art.

30 Rock/League of Extraordinary Gentlemen mash-up by Alex Ross. I'm looking forward to the inevitable mash-up of Warren Ellis' Ministry of Space and Astronaut Jones.

Return of the Jedi/Community "For a Few Paintballs More" episode mash-up by Victor Perfecto.

Daria by Ming Doyle.

Fozzie Bear stops by Marc Maron's garage, by Skottie Young. I enjoyed Maron's controversial exchange with Dan Savage about Michele Bachmann and Rick Santorum on Real Time with Bill Maher last week.

Detective Nick Yemana from Barney Miller by Pete Emslie.

The Wire as a Hanna-Barbera cartoon by Paul Sizer.

Bass for your face: Five dope bass lines

(Based on a series of tweets from 4/20/09.)


"Why don't you make like a bass player and be inaudible?"
--Metalocalypse

5. Jamiroquai, "Space Cowboy (Stoned Again Mix)"
Bassist during the "Stoned Again Mix": Stuart Zender. The ultimate 420 anthem.



4. Jack Elliott and Allyn Ferguson's Barney Miller theme
Bassist during the recording: Jim Hughart. Rarely does a Jew on TV get a theme this funky.



3. Freddie Hubbard, "Red Clay"
Bassist: Ron Carter. A Tribe Called Quest fans know this bass line from "Sucka N****," which sampled Jack Wilkins' cover of "Red Clay."

2. Slave, "Just a Touch of Love"
Bassist: Mark Adams. His bass line was sampled by De La Soul ("Keepin' the Faith") and Das EFX ("Shine").



1. The Smiths, "This Charming Man"
Bassist: Andy Rourke. His bass work is the coolest part of the tune.



Bonus dope bass line: Tina Weymouth's performance during "Born Under Punches (The Heat Goes On)" at a 1980 Talking Heads concert in Rome

"The Best of Jimmy J. Aquino on Twitter," Part 1

In March, I gave up resisting Twitter and launched a page there to write any blog posts that are only two or three sentences long. I didn't like Twitter at first, but I've adjusted to it, and now I think it's a more enjoyable and appealing microblogging/social networking site than the cluttered and less stripped-down Facebook.

I've found Twitter's 140-character limit to be a great way to test out my humor writing and be better at brevity. On Facebook, members have somehow discovered ways to bypass the character limit on their status updates, which has resulted in two things: 1) a lot of users writing updates that are longer than the Iliad, which kills the point of a microblog, and 2) me glancing briefly at those long-winded updates and wanting to log out of Facebook as fast as I can.

However, Twitter has a few downsides as well. Too many Twitterers have used the site to write some of the most vapid and boring microblogs I've ever come across (which resulted in Lewis Black uttering on Attack of the Show one of my favorite quotes about vapid-sounding Twitterers, "I'm not that interested in my life! What kind of ego do you have to have to think other people are interested?... If you're walking around telling people what you're doing, then guess what, you're not really doing it, are you? You're describing it!"). Instead of tweeting nonstop about every single activity in my life, I've preferred to focus most of my tweets on either the Fistful of Soundtracks radio station, movies and shows I've watched, links I want people to check out or links to the posts I write here at afistfulofsoundtracks.blogspot.com.

But the biggest downside of Twitter for me is that unlike Blogger or WordPress, Twitter doesn't automatically create archives of your older tweets, making it difficult to access older tweets that either you or someone else posted. If you want to access an older tweet without repeatedly clicking on the "more" link at the bottom of the page, you have to have previously copied and pasted the tweet's URL somewhere on your computer (like on Notepad) so that you can copy and paste that URL into your browser.

Because of the lack of an archive section on my Twitter page, here's a compilation of the tweets from my page that have received replies or have been retweeted (Twitter slang for being quoted), starting with my very first tweet.

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Dammit. I give up. I'm on Twitter now though I'm not feelin' the concept. I'm joining only b/c writing 140-ch. posts on Blogger seems lame.
12:59 PM Mar 14th from web

Awesome. My first word on Twitter was "Dammit," which, in the Cosby household, means "Russell."
12:59 PM Mar 14th from web

You know who does the best dammits on TV? Kiefer. Not since DeForest Kelley has someone taken dammiting to a whole 'nother level.
1:00 PM Mar 14th from web


@pfunn I see that dumb new name and I think, "Shouldn't it be pronounced 'sy-fee,' as in the Syufy [sy-yoo-fee] movie theater chain?"
1:31 PM Mar 16th from web in reply to pfunn

Rotten Tomatoes Show on @current is the anti-Movie Mob. Their webcam reviews come from intelligent folks, not annoying attention whores.
11:15 AM Mar 20th from web

I prefer Savage Steve Holland (Better Off Dead) over John Hughes b/c SSH's '80s comedies aren't as racist as Hughes'--and they're weirder.
11:37 AM Mar 20th from web

Savage Steve Holland's How I Got Into College is on Fox Movie Channel right now. Damn, tanktop-clad Tom Kenny is paler than @jimgaffigan.
11:38 AM Mar 20th from web

Is it me or do some Twitterers sound like Norm MacDonald as Larry King reading his USA Today News & Views column? http://tinyurl.com/d2m79h
4:08 PM Mar 21st from web

How nice. An earthquake just woke me up.
10:46 AM Mar 30th from web

Dammit, I can't get that silly Lady Gaga "this beat is sick" refrain out of my head ever since I first heard it on #Chuck last week.
1:30 AM Apr 11th from web


@gcdb She's the creation of a gay mad scientist who needed a new icon to worship b/c Madonna and Dona Versace are getting too old & creepy.
8:34 AM Apr 11th from web in reply to gcdb


@gcdb I bet every Canadian right now wants to bitchslap Billy Bob Thornton just like how Kurt Russell slaps around BBT in that movie.
7:56 PM Apr 11th from web in reply to gcdb

There needs to be an Asian American comedians' version of MST3K or Cinematic Titanic or #twitflixing (like the HGers' skewering of Crank 2).
4:08 AM Apr 17th from web

Why are Asian Americans always so serious and humorless and tweedy when they write essays or posts about racist pieces of shit like Crank 2?
4:13 AM Apr 17th from web

We Asian Americans need to take a cue from MST or HG or Paul Mooney and try a comic approach to ripping to shreds the Crank 2s of the world.
4:18 AM Apr 17th from web

@ALBaroza I want to do a live show in which an AA comic & I do snarky running com. on a racist flick. A RiffTrax-ish site might be dope too.
11:28 AM Apr 17th from web in reply to ALBaroza

"Why don't you make like a bass player and be inaudible?"--Metalocalypse. I've posted my all-time favorite basslines on @LivingSocial.
9:15 AM Apr 20th from web

Dopest basslines: 5. Jamiroquai, "Space Cowboy (Stoned Again Mix)"--the ultimate #420 anthem. Bassist: Stuart Zender.
9:18 AM Apr 20th from web


Basslines: 4. Jack Elliott and Allyn Ferguson's Barney Miller theme. Bassist: Jim Hughart. Rarely does a Jew on TV get a theme this funky.
9:20 AM Apr 20th from web

Basslines: 3. Freddie Hubbard, "Red Clay." Bassist: Ron Carter. ATCQ fans know this bassline from "Sucka N," which sampled a cover of "RC."
9:24 AM Apr 20th from web

Dopest basslines: 2. Slave, "Just a Touch of Love." Bassist: Mark Adams. Sampled by De La Soul ("Keepin' the Faith") and Das EFX ("Shine").
9:27 AM Apr 20th from web

Dopest basslines: 1. The Smiths, "This Charming Man." Bassist: Andy Rourke. His bass work is the coolest part of the chune.
9:30 AM Apr 20th from web


I can never hear "Ready to Go" by Republica again without thinking of Dr. Girlfriend.
4:33 PM Apr 20th from web

To be continued.

Rex Navarrete's Badly Browned: The first Filipino American stand-up album

"You're gonna piss me out!"
--one of many Rex Navarrete character malapropisms during Badly Browned

While watching a back-to-back KQED evening marathon of Asian Pacific American Heritage Month-themed documentary programming (Arthur Dong's Hollywood Chinese and Jeff Adachi's The Slanted Screen, a doc that both PBS and TCM seem to air a million times), I thought to myself, "These APAHM nights on KQED could really use a doc about Asian American comedians like Adachi's other doc, You Don't Know Jack. Why are minority history months always so damn reverent and serious?"

I wonder when You Don't Know Jack--the doc about comedian and Barney Miller scene-stealer Jack Soo, not the recently greenlit Pacino-as-Jack Kevorkian biopic of the same title--will show up on KQED and add some much-needed humor to their often stuffy APAHM programming.

(Somebody ought to make a doc about present-day Asian American stand-ups, and it better not be in the style of annoying and vapid reality shows about stand-ups like Last Comic Standing or any other show that's not the short-lived Comedians of Comedy, still the only reality show about stand-ups that's worth a damn. The doc ought to be more like Comedian, the smart 2002 doc about Jerry Seinfeld, Orny Adams and the difficulties of the craft of stand-up. The Asian American stand-up scene has enough fascinating stories, interesting ideological disagreements and juicy rivalries to fill an entire edition of Make 'Em Laugh: The Funny Business of America.)

Comedians of color don't get enough praise or props during minority history months, which is why I'm devoting this post to the first Filipino American live stand-up comedy album, a 1998 CD that's a solid knee-slapper for almost all of its 65 minutes. It's even got kickass scratch instrumental interludes provided by DJ Qbert too.

I used to play Rex Navarrete's Badly Browned CD all the time on my university radio station. Navarrete is the first Filipino American stand-up I've seen who's represented us--a certain generation of Empire Strikes Back-watching, Skratch Piklz alumni album-buying Filipinos who grew up on Pryor, Mooney, Cosby and Murphy instead of Dolphy. For a while, I used to be able to recite huge chunks of Badly Browned tracks like the Star Wars bit, the ad-libbed "KBOY with Mr. Bolisario" skit ("Long time ago, when I was a childrens, uh, the, uh, Aquaman, uh, Sunday afternoon, used to cook me chee-ken!"), "Maritess vs. the Superfriends" and "Mrs. Scott's ESL Class," about a rambling Pinay ESL teacher named Mrs. Scott who makes hilariously ditzy statements like "the Philippines is the southernmost island of Spain" (I love hearing the mostly Fil-Am San Francisco State audience boo after that line).

On his site, Navarrete recalled the recording of Badly Browned:

Kormann Roque of Classified Records and I came up with the same idea, why don't we experiment and record a live show of mine and see how it sounds? So we did. My buddy, Elrik Jundis, produced a venue and a show for me at UC Berkeley's International House on November 1st, 1997. A one-night only, two show evening. This was where "Maritess" was taped. The best thing about accomplishing that feat was helping one of my best friends give birth to her son, Lakas, earlier that afternoon. I became an instant godfather. I named one of Q-bert's tracks after him on BADLY BROWNED. I'd say that that day had to be one of the most blessed days of my life and my career.

On April 20th, 1998, the same production team, now with full support from Classified Records, came together to bring to SF State's McKenna Theater the live taping of BADLY BROWNED in a packed, standing room only house of 700 plus fans. This was so awesome, I never thought so many Filipinos would dig Flip comedy this much and this intensely. Nevertheless, we finished that night exhausted and a couple months later came our with that first live comedy CD. It featured scratch tracks from DJ Q-bert from the Invisibl Skratch Piklz which gave it a Def Comedy Jam kind of feel to it. It still remains to be a great seller online and at my gigs, thanks to your support. I think BADLY BROWNED contains some of my most favorite material to that point in my career.

I wish I had more to say about this milestone CD that had me rolling during much of my senior year, other than I'm looking forward to Navarrete's fourth stand-up album, and I could never view Starship Troopers the same way again after Navarrete squashed the movie version with his big tsinelas.