Showing posts with label Renee Zellweger. Show all posts
Showing posts with label Renee Zellweger. Show all posts

Saturday, April 16, 2011

Empire Records live-tweet recap (because today is Record Store Day)

I have a bad feeling about Rex.
(Photo source: Matt Ranzetta)

During the week Record Store Day 2010 took place, I live-tweeted Empire Records, which is set at a record store and seems to resurface on cable at least once every week. The movie is at its best when it pokes fun at washed-up soap stars/pop singers and sticks to being a relaxed comedy about working at a record store. At its worst, Empire Records is like a lousy and overdramatic Canadian teen soap that wouldn't look out of place on TeenNick.

Today is Record Store Day 2011, so I'm reposting my tweets about Empire Records.

(If you're not reading this on Record Store Day, this live-tweet recap can function as textual commentary that you can refer to while Empire Records is playing on TV. Sometimes, a certain movie I like will resurface on TV, and I want to see what someone else wrote about the movie, so I'll open an article or Wikipedia entry or IMDb trivia page about the movie that I had saved onto my laptop.)

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The name of the never-shown fake TV show where Rex Manning got his big break is The Family Way. Rex's TV show must have been part Family with Kristy McNichol, part Eight Is Enough, all crap.

Frigging Rex Manning Day. In a few minutes, I'm live-tweeting the #EmpireRecords: Remix! Special Fan Edition DVD, which came out in 2003.
12:05 PM

I'm a few minutes late. I'm on SuperStation TBS time.
12:06 PM

The Warner logo means the #EmpireRecords: Remix! Special Fan Edition live-tweet starts now. Why live-tweet a DVD that dropped 7 years ago?
12:09 PM

#EmpireRecords has things in it I like (particularly some of the songs and the fake Rex Manning music) and things I can't stand.
12:10 PM

The things I can't stand during #EmpireRecords (or as I like to call the film, Car Wash for alt-rockers) make it worthy of a live-tweet.
12:10 PM

When I started writing the webcomic The Palace, which is set at an indie theater, I told myself I must avoid the cliches of #EmpireRecords.
12:11 PM

The movie is an example of fun premise/sloppy execution (all that shit happens to the staffers in one day?).
12:11 PM

The movie flings dramatic crises at you with all the precision of a chimp flinging his poop at zoo-goers.
12:11 PM

This is the kind of movie where dunking a teen's head in the sink will make her diet pill addiction magically disappear.
12:13 PM

Wednesday, April 28, 2010

And my soul has been Geocities-ized

Comic Sans: the Chevy Vega of fonts
A Fistful of Soundtracks: The Blog gets put through the Geocities-izer.

If Twitter existed back in 1996, then I would have been able to live-tweet Empire Records first-run instead of over a decade later on DVD, and this is what the live-tweet would have looked like. The eloquent word that could best describe the way it would have looked is 'shitty.'
Renee Zellweger is traumatized by the ugly site design.

Yeah, when I think A Fistful of Soundtracks, the first thing that comes to mind is the 7-Up dot.
Nothing says late '90s like the Dancing Abortion in a Diaper.

[Via the Geocities-izer (via Krishna M. Sadasivam)]

Thursday, April 15, 2010

Empire Records live-tweet recap

Rex likes to cover his dick in blue cheese? Didn't he watch that old Saturday morning PSA 'Don't Drown Your Junk?'

You know how the Star Trek feature film DVDs come with text commentary by Trek trivia king and Next Generation graphic designer Michael Okuda? Think of these tweets from my Twitter page on April 14 (a few days before Independent Record Store Day on April 17) as the text commentary that should have been part of the Empire Records DVD.

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The A.V. Club's Nathan Rabin wrote that Thank God It's Friday could be the polyester era's Empire Records. So does that mean Empire Records is the flannel era's Thank God It's Friday?

Frigging Rex Manning Day. In a few minutes, I'm live-tweeting the #EmpireRecords: Remix! Special Fan Edition DVD, which came out in 2003.
12:05 PM Apr 14th via web

I'm a few minutes late. I'm on SuperStation TBS time.
12:06 PM Apr 14th via web

The Warner logo means the #EmpireRecords: Remix! Special Fan Edition live-tweet starts now. Why live-tweet a DVD that dropped 7 years ago?
12:09 PM Apr 14th via web

#EmpireRecords has things in it I like (particularly some of the songs and the fake Rex Manning music) and things I can't stand.
12:10 PM Apr 14th via web

The things I can't stand during #EmpireRecords (or as I like to call the film, Car Wash for alt-rockers) make it worthy of a live-tweet.
12:10 PM Apr 14th via web

When I started writing the webcomic The Palace, which is set at an indie theater, I told myself I must avoid the cliches of #EmpireRecords.
12:11 PM Apr 14th via web

The movie is an example of fun premise/sloppy execution (all that shit happens to the staffers in one day?).
12:11 PM Apr 14th via web

The movie flings dramatic crises at you with all the precision of a chimp flinging his poop at zoo-goers.
12:11 PM Apr 14th via web

This is the kind of movie where dunking a teen's head in the sink will make her diet pill addiction magically disappear.
12:13 PM Apr 14th via web

Friday, April 9, 2010

I'm live-tweeting Empire Records next Wednesday at noon

Renee Zellweger

I've always wanted to either live-tweet or RiffTrax director Allan Moyle's 1995 film about record store clerks who attempt to save their store from the clutches of a strict, Blockbuster Music-like chain. Empire Records constantly airs on cable and has become a cult favorite, but in 1995, the movie was overshadowed by its hit soundtrack album (I remember borrowing the Empire Records cassette tape from a university friend because I dug "A Girl Like You" by Edwyn Collins and "Liar" by Donald Glover's favorite band), and it was barely released by Warner Bros., which must have been dissatisfied with the final cut. At times, the movie appears to have been edited together with glue and Popsicle sticks, so it's not hard to see why the studio quietly dumped it into theaters.

But what I don't understand is the cult status of this movie, which stars Anthony LaPaglia, Liv Tyler and a pre-Jerry Maguire Renee Zellweger. Empire Records is neither an offbeat but genuinely good flick that was buried and poorly received during its initial release like The Big Lebowski (or Office Space) nor a so-ineptly-made-it's-entertaining curio like Dolemite. It's just bland studio product that at its worst, takes the most overwrought parts of John Hughes' writing in The Breakfast Club and amps them up to 11.

So either join me on Twitter next Wednesday, April 14, in the afternoon as I snark on the extended "Remix! Special Fan Edition" of Empire Records (the DVD doesn't have a commentary track, so this live-tweet would be like the commentrak the DVD should have had), or check out the live-tweet recap I'll post on this blog afterward.