Showing posts with label Prince Paul. Show all posts
Showing posts with label Prince Paul. Show all posts

Wednesday, November 13, 2013

"Tipi Ti on My Cappi Town" will never be added to "Whitest Block Ever" rotation on AFOS, but I sure wish it could be

Knuckle Beach is such a rough neighborhood that the school kids there learn proper grammar by watching a DVD of Pootie Tang.
Pootie Tang, a Chris Rock Show spinoff movie featuring Lance Crouther's mostly unintelligible character from the late '90s HBO show, first played to empty theaters and negative reviews in 2001, but it turned out to be a lot funnier than expected and it gets referenced by rappers on the regular (Kanye West quoted Pootie during The College Dropout). Back in February, Prince Paul, the legendary producer of so many hip-hop albums I like, including De La Soul Is Dead and A Prince Among Thieves, posted on his SoundCloud an original song from Pootie Tang I had no idea he produced, the "Tipi Ti on My Cappi Town" duet between Pootie and Missy Elliott.

At least once every month, I try to update an AFOS playlist like "The Whitest Block Ever" with new tracks, and I wish I could add "Tipi Ti on My Cappi Town" to "The Whitest Block Ever." But no physical copies of "Tipi Ti on My Cappi Town" exist (outside of I assume Prince Paul's studio). It's not even included on the out-of-print Pootie Tang soundtrack from Hollywood Records. Pootie Tang was written and directed by--and this still surprises people who aren't comedy nerds--Louis C.K., who wrote for The Chris Rock Show. The star/writer/showrunner/director/caterer of FX's Louie doesn't think much of Pootie Tang's final cut because Paramount wrested the movie away from him during post-production (and you can tell which parts of the movie were meddled with by the studio), but it's still a funny flick, thanks to moments like Prince Paul's dead-on parody of the slow jam genre.



"The Whitest Block Ever," a block of original themes or score cues from films written or directed by filmmakers of color, airs every weekday at 10am-noon on AFOS. Here's a sampler of "The Whitest Block Ever."



The opening number of Bye Bye Birdie was Spike Lee's inspiration for this. Gonna go cobble together that wacky mash-up of Rosie Perez shadow-boxing to Ann-Margret singing 'Bye Bye Birdie' in 10, 9, 8...

"The Whitest Block Ever" sampler tracklist
OPENING TITLES
1. Public Enemy, "Fight the Power" (from Do the Right Thing)
2. The Roots featuring Jaguar, "What You Want" (from The Best Man)
3. Eric B. & Rakim, "Juice (Know the Ledge)" (from Juice)
4. Adrian Younge featuring LaVan Davis, "Black Dynamite Theme"
5. Curtis Mayfield, "Freddie's Dead (instrumental version)" (from Superfly)
6. 2 Chainz and Wiz Khalifa, "We Own It (Fast & Furious)" (from Furious 6)
Car Wash
(Photo source: Rated X - Blaxploitation & Black Cinema)
7. Stanley Clarke, "Passenger 57 Main Title"
8. Robert Rodriguez's Chingon featuring Tito & Tarantula, "Machete Theme"
9. The Gap Band, "I'm Gonna Git You Sucka"
10. The Staple Singers, "Let's Do It Again"
11. Mychael Danna, "Baraat" (from Monsoon Wedding)
12. Mychael Danna featuring Bombay Jayashri, "Pi's Lullaby" (from Life of Pi)
ACT 1
13. Brian Tyler, "Ready or Not" (from Finishing the Game)
14. E.U., "Da Butt" (from School Daze)
15. Curtis Mayfield, "Give Me Your Love (Love Song)" (from Superfly)
16. Rose Royce, "I Wanna Get Next to You" (from Car Wash)
17. Adrian Younge featuring Dionne Gipson, "Shine" (from Black Dynamite)
ACT 2
18. Guy, "New Jack City"
19. Brian Tyler, "Fists of Führer" (from Finishing the Game)
Better Luck Tomorrow (Photo source: RECO CHARGES)
20. Semiautomatic, "Eat with Your Eyes" (from Better Luck Tomorrow)
21. George Shaw, "Date Chase" (from Agents of Secret Stuff)
22. Mychael Danna, "Set Your House in Order" (from Life of Pi)
23. Branford Marsalis Quartet, "Mo' Better Blues"
ACT 3
24. Ramin Djawadi, "Canceling the Apocalypse" (from Pacific Rim)
25. Bill Lee, "Wake Up Finale" (from Do the Right Thing)
26. Bill Lee, "Malcolm and Martin" (from Do the Right Thing)
END TITLES
27. Sukhwinder Singh, "Aaj Mera Jee Kardaa (Today my heart desires)" (from Monsoon Wedding)
28. Mader, "Rhumba (End Credits)" (from The Wedding Banquet)
29. Curtis Mayfield, "Superfly"
30. Blake Perlman featuring RZA, "Drift" (from Pacific Rim)
31. The Crooklyn Dodgers featuring Special Ed, Buckshot and Masta Ace, "Crooklyn"

Thursday, March 18, 2010

Favorite curse word substitutes that aren't "frak"

De La Soul

The other morning, the surprisingly not-so-awful 1993 made-for-cable action comedy Taking the Heat surfaced on my TV in the background. It starred the very attractive Lynn Whitfield as a slit-skirted rookie NYPD detective assigned to escort wimpy murder witness and love interest Tony Goldwyn to court while mobsters attempt to bump him off on the hottest day of the summer. (It's too bad Whitfield never became the action movie star that she should have been because in Taking the Heat, she's as fierce as Pam Grier, running around sweltering New York and Toronto locations in heels--and on horseback at one point--and never once taking those heels off.)

The late New York radio DJ Frankie Crocker acts as a Greek chorus during Taking the Heat. I didn't grow up listening to Crocker on the radio, so whenever I hear his voice, I think of "Crocker!"--Prince Paul's way of half-assedly bleeping out the obscenities during the sketches(*) on one of my favorite albums, De La Soul Is Dead.

(*) In an earlier post, I said a skit is "some lame, amateurish thing kids perform at a summer camp or church." It's also a usually unfunny and thankfully short comedy bit that's the most common example of filler on a hip-hop album. The difference between the skits on most hip-hop albums and the skits on De La Soul Is Dead is that the DLSID bits are slightly longer, which makes them qualify as sketches, and genuinely funny.

I hate censorship in any form. (According to Cursebird, I swear like a Scottish comedian.) But when you can't fight the censors, sometimes you have to come up with ingenious ways to depict rough language without attracting the attention of those uptight [Crocker!]s. You can make up your own curse words a la Mork & Mindy, the 1978 Battlestar Galactica, Hill Street Blues, Red Dwarf and motherfrelling Farscape, or you can conceal the curse words in foreign languages like on Firefly and Caprica. For my money, South Park, Archer and TNT's Southland opt for the best method, which is to have the actors utter the obscenities and then bleep out all of them, except for "shit," "goddamn" and "pussy." (Before he died, George Carlin was probably relieved to see that some of the words he once famously put on a pedestal are now safe for basic cable.)

Who's the person who tweeted that nerds should stop adding the rather clunky-sounding "frak" to normal everyday conversations? Buy that person a drink. The masterminds behind the following five euphemisms also deserve a drink because they perfected the art of sneaking in expletives.

'What do you know about music, hamster penis?'

"Crocker!" (De La Soul Is Dead)
For some inexplicable reason, the tracks on De La Soul's insult humor-filled second album are uncensored, while most of the sketches are not. They feature Black Sheep member Mista Lawnge as the voice of "Hemroid," a playground bully who steals a cassette copy of DLSID from one of his victims and becomes frustrated by the album's lack of violent lyrics while listening to it ("Van Damme! What happened? What happened to the pimps? What happened to the guns? What happened to the curse words? [Crocker!] That's what rap music is all about, right?"). Prince Paul's intentionally half-assed censorship of the swear words in the sketches is part of what makes them funny. He covered up most of the cursing with a soundbite of someone saying "Crocker!"--a reference to the legendary DJ. "Crocker!" isn't the only curse word substitute during the sketches. There's also the memorable "Put the tape back in, natal wart!"

"melonfarmer" (the syndicated TV version of Repo Man)
Like me and millions of others who hate watching feature films on channels that aren't TCM, IFC or Sundance, Alex Cox considers the practice of redubbing profanity in movies to be ridiculous, so he had some fun with it by taking what could have been a completely unwatchable commercial TV butchering of his cult classic Repo Man and making it somewhat entertaining. The TV cut contained intentionally lame new dialogue like "Flip you, melonfarmer!"

Yvonne Strahovski from 'Chuck vs. the Nacho Sampler'

"smeg" (Red Dwarf)
One of the few elements Ronald D. Moore's Galactica unfortunately retained from the inferior 1978 original was the fake swearing, which sounds like a Mormon's idea of how people curse (in fact, that's what it was--Glen A. Larson is a Mormon, so I blame them for the creation of "frak," which the '70s version spelled as "frack," and "felgercarb"). Rob Grant and Doug Naylor, the creators of the sci-fi Britcom Red Dwarf, coined a slightly more inventive swear word 10 years after "frack" by replacing "shit" and "fuck" with a word they claimed they didn't know already existed. (Do not click on the link in the previous sentence if you're enjoying your lunch, smeghead.)

"Ooh la la!" (The Late Late Show with Craig Ferguson)
I like how The Late Late Show's way of dealing with Ferguson's French has been to cover it up with a well-placed French flag and his cheesy imitation of a frog. Because of Ferguson's year-long goal to learn Spanish, the flag was recently changed to a Spanish one, and "Ooh la la!" is now "¡Ay caramba!"

'What the French, toast?'

"lint-licker" (Orbit Gum ad)
Treme staff writer and Undercover Black Man blogger David Mills is spot-on about the homewrecker lady from his current favorite commercial, whom he refers to as "a cross between Karen Carpenter and a cheap French oil painting." Her way with a euphemism makes the Galactica and Caprica cast members sound like lints.