Showing posts with label Sledge Hammer!. Show all posts
Showing posts with label Sledge Hammer!. Show all posts
Monday, October 10, 2016
Archer's season 8 plans could be the greatest fuck-you to continuity since Sledge Hammer!'s nutty resolution to its nuclear-blast cliffhanger
When we last saw Sterling Archer, he was, like William Holden in Sunset Boulevard, face down in a pool and dead from multiple gunshot wounds. But that shocker of a season finale twist ending back in June was made less shocking by both FX's renewal of Archer for three more seasons and Archer creator Adam Reed's confirmation that the 10th season will be the final one for the longest-lasting of all his animated shows. So we're not through yet with the adventures of the world's most immature spy/P.I., and Reed has now come up with a crazy way (but it's typical for this show, which once had a poisoned Archer hallucinating that he was Warren Beatty in Heaven Can Wait) to continue on with those adventures despite killing off the title character.
At a New York Comic Con panel last week, Reed announced that when Archer resumes on FX in 2017, it will reboot itself again like it did in both 2014--when the main characters switched from espionage work to drug dealing (while Cheryl/Carol became a country singer) during the season-long arc known as "Archer Vice"--and March of this year. The seventh and most recent season took place in Hollywood and had Archer, Lana and Ray working as private eyes for Cyril, their now-defunct intelligence agency's former accountant. The eighth season will take place in an alternate timeline in 1947.
Monday, July 18, 2011
The people who run Sleuth have no Cloo
When NBCUniversal (now one word instead of two) added Sleuth to its stable of cable channels in 2006, it was an alright idea for a channel: Nick at Nite with guns. For its first couple of years, Sleuth's 24-hour lineup was comprised of reruns of NBCUniversal-owned cop or detective shows like Dragnet, Magnum, P.I., Miami Vice and the always-worth-revisiting Homicide: Life on the Street.
But like so many other channels, of course, Sleuth has strayed from its original purpose. These days, DirecTV channel 308 is an ill-defined dumping ground for reruns of current original shows from its sister station USA (Royal Pains, In Plain Sight)--and Walker, Texas Ranger. With content like a doctor show (Royal Pains), a cop show with very little detective work because of its focus on witness protection (In Plain Sight) and a cop show with no detective work that's only watchable when Conan O'Brien's around to butt in with snarky and appalled commentary (Walker), the name Sleuth doesn't make much sense anymore. Cloo--the new name that Sleuth will assume on a yet-to-be-confirmed future date a la the still-inane 2009 conversion of its other sister station Sci Fi to Syfy--makes even less sense. What's next? NBCUniversal rebranding USA as YouSA? (They also own Telemundo. Maybe they should rename it YouEse.)
Occasionally, Sleuth has done something nice like temporarily revive a show I've longed to see again (Keen Eddie, The Rockford Files) or air a 007 marathon or the surprisingly good 1973 made-for-TV caper movie/unsold anthology show pilot The Alpha Caper, which isn't on DVD and stars Henry Fonda as a forcibly retired parole officer who teams up with the ex-cons he used to watch over--two of whom are played by Leonard Nimoy and Larry Hagman--to hijack a shipment of gold. But otherwise, as a fan of the private eye and caper genres, I've found Sleuth to be a wasted opportunity, regurgitating too many of the same broadcast network procedural reruns that can already be found on USA (House, NCIS).
Unless it's airing a White Collar episode I've never seen before or a Burn Notice rerun with a useful spy tip I need to jot down, Sleuth isn't worth my time. The channel's so cheap it doesn't have any on-air hosts or any original programming that could have given Sleuth a distinctive personality, like how breezy procedurals have become USA's forte or how FX has become synonymous with edgy comedies and gritty and violent but intelligently written dramas (the only original show that Sleuth has produced is a 2006 I Love the '80s-style special about "America's Top Sleuths").
It's owned by NBCUniversal and it's called Sleuth (that is until the name change to Cloo takes place), so why isn't the channel diving into the NBCUniversal library, with its vast history of influential crime shows, and pulling out classic sleuthy properties like Columbo (R.I.P. Peter Falk) or the other NBC Mystery Movie shows? Shouldn't a channel called Sleuth be a little, uh, sleuthier?
Also, as someone who stopped finding Law & Order interesting after an ailing Jerry Orbach left the mothership (although the later pairing of Jesse L. Martin and Jeremy Sisto was a great and too-brief one during the mothership's Law half, as was the duo of Chris Noth and Annabella Sciorra on Criminal Intent), I don't think Sleuth needs to be another repository for Criminal Intent and Special Victims Unit reruns (TNT has exclusive rights to reruns of the mothership, which explains its absence on the NBCUniversal channels' schedules). Okay, maybe Criminal Intent is tolerable once every weekday, but a five-hour Goren-thon like the ones Sleuth often does is overkill. Plus, Sleuth is the sixth channel on the dial that currently airs Criminal Intent reruns, after USA, Bravo, Oxygen, WGN and the local MyNetworkTV affiliate. Enough already, man.
Labels:
007,
Burn Notice,
Cloo,
Homicide: Life on the Street,
It Takes a Thief,
Keen Eddie,
Law & Order,
scripted TV,
Sledge Hammer!,
Syfy,
The Alpha Caper,
The Rockford Files,
The Wire,
Veronica Mars,
Wiseguy
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