Monday, April 4, 2011

Five funniest moments of unsettling, non-Monty Python's The Meaning of Life eating by powerful men (or women) in movies and TV

The money shot during GoodFellas's many moments of food porn? It's not in this scene. It's the peek at Ray Liotta's Sunday sauce during the 'May 11, 1980' sequence.

This list is inspired by a hashtag tweeted by Harold J. Lee on September 2, 2010 ("Deniro and Pesci eating latenight food from Pesci's mom in Goodfellas with the body in the car trunk. #UnsettlingEatingByPowerfulMenInMovies").

By the way, if Lee's name sounds familiar, it's because Harold & Kumar creators Jon Hurwitz and Hayden Schlossberg named the John Cho character after their friend Lee.

WARNING: NSFW language ahead.

1. De Niro's loud sandwich chewing in Cop Land


2. Bernie Mac's loud orange chewing in Bad Santa


3. Kali Rocha, as a pregnant and surly receptionist for a city councilwoman, attacking a hot dog filled with sauerkraut in the Monk episode "Mr. Monk Fights City Hall"

A hot dog makes Halfrek lose control.

4. Robert Wagner as a "Sloppy Eater" on SNL in 1989

5. Paul Sorvino's oyster slurping in Dick Tracy
At the 0:28 mark:

Danger Mouse and Daniele Luppi's Rome preview is neck-and-neck with the extended Green Lantern trailer for the week's juiciest-looking new trailer

Norah Jones looks hot in this picture, despite the Nancy Grace hairdo.

I first read about Rome, Gnarls Barkley and Broken Bells producer Danger Mouse's homage to '60s and '70s Italian film scores, back in November and couldn't wait to hear the results of the project. Rome has Danger Mouse collaborating on new material with Italian composer Daniele Luppi (whose 2004 album An Italian Story is a nifty homage to the '60s Italian sound that's similar to Rome), as well as several of the veteran musicians who performed on many of those terrific '60s and '70s scores.

"It was really the dream to reunite the Cantori Moderni 40 years later. It was a choir put together by Alessandro Alessandroni--think about the Sergio Leone movies, the Morricone soundtracks with those beautiful soprano melodies," said Luppi to the Guardian. "Alessandroni was not only the choirmaster, but his whistle is all over those movies."

The concept album, which finds Danger Mouse and Luppi paying tribute to not just Morricone, but also to the likes of Piero Umiliani, Bruno Nicolai and Piero Piccioni, took about five years to make and will finally drop on May 17. Parlophone Records recently posted a lengthy trailer featuring interviews with Danger Mouse, Luppi and lead Rome singers Jack White and Norah Jones.



Judging from White's Sergio Corbucci-esque, spaghetti western imagery-filled "Two Against One" and the lush and loungy Jones/Cantori Moderni tune "Black," which were also posted by Parlophone and will debut together as a 7-inch vinyl single on Record Store Day on April 16, Rome sounds promising and is far from kitschy or overly cutesy like many homages to the '60s Italian sound have been.

I would love to stream some of the tracks from Rome on my station, but because AFOS focuses only on original score material or existing songs featured in film and TV, I can't find an appropriate block for the Rome tracks. I'll think of something.

Speaking of Danger Mouse (whose love for '60s and '70s Italian scores first emerged in 2004 when he sampled the Viva Django score in the Gnarls hit "Crazy"), here's one of my favorite Danger Mouse-produced joints from last year, amusingly mashed up with a fixture of early '80s MTV:

An old Cheap Seats segment features Chesty McWooden from Twilight

'Sklarbro Country: like eatin' an 8-oz. Kansas City rib-eye. You gotta chew on it awhile. Break it down. Let it digest in your gut. Then the next day, when you're squattin' over a hole in the woods, scroungin' for an oak leaf to finish it off, it hits ya: you do it for the taste. Sklarbro Country: goes down like meat, comes out like gravy.'
On a recent episode of Sklarbro Country with special guest Amy Poehler (whose laughter I always enjoy hearing, and she does a lot of it during this standout ep, mostly because of James Adomian's hysterical Jesse "The Body" Ventura impression), the Sklar Brothers briefly discussed with Poehler an installment of their ESPN Classic cult favorite Cheap Seats where the brothers snarked on footage of a karate demonstration by a then-unknown Taylor Lautner, a few years before they and the rest of the world became familiar with Lautner and his impression of a wooden washboard in the Twilight movies.

After listening to Randy and Jason mention that 2006 Cheap Seats segment, I had to go YouTube that segment, which I hadn't seen in a long time. Hearing the Sklar Brothers slap around a blue-haired, pre-movie set trailer tantrum-having, 11-year-old version of Lautner made my day. God, I miss Cheap Seats (even though it's finally dropping on DVD!).



The sponsor of that junior karate tournament was Paul Mitchell. Because the first thing I think when I watch martial arts is "Gee, these roundhouse kicks would look more impressive if the kid had frosted tips."

Thursday, March 31, 2011

Stuff White People Like But This Brown Man Can't Stand #4: Unfunny jokes about former enemies of the U.S. when they experience national tragedies

The Japanese earthquake/tsunami/nuclear radiation crisis is useful in that it shows us which celebrities and politicians stupidly pronounce it as 'nucular.'
Joan Rivers defended Gilbert Gottfried's controversial Twitter jokes about the disaster-stricken Japanese by saying comedians cope with tragedy through humor and then using her plastic-and-adamantium-coated face as a shield to protect Gottfried from the bullets from his angriest critics. I'm all for using humor to cope with tragedy, but when someone uses it to slam the victims of a terrible situation like Gottfried, Family Guy writer Alec Sulkin, several conservatards and countless others on Twitter did, it's not funny at all.

I appreciate how The Daily Show, The Colbert Report and my favorite new podcast Sklarbro Country handled the disaster in Japan and managed to find humor in the situation without veering into anti-Asian racism. Stephen Colbert came up with the funniest bit of disaster-related humor when he described the earthquake/tsunami/radiation crisis as a "disaster-ducken."

'Henderson!'

Meanwhile, the Sklar Brothers, whose hilarious podcast pokes fun at the often odd and insane behavior of sports celebrities, elbowed New York Liberty guard Cappie Poindexter in the face for her moronic tweets about the disaster being God's payback for Pearl Harbor and the way Japan treats their own people in "there" country.

"That's who we want commenting on this disaster. A guard from the WNBA. Yeah, we don't wanna hear from the head of the Red Cross or anybody from the State Department. We wanna hear from a women's professional basketball player," joked Randy and Jason, who were so appalled by Poindexter's tweets that they resurrected their discontinued "Douchebag of the Week" segment and picked "the Alexandra Wallace of the WNBA" as the segment's first-ever female douchebag, or "Douchebaguette of the Week."

"Now is not the time to blame Japan for anything, even Sudoku," said the twin brothers. "Leave them alone!"

The new Warhol-inspired Secret Identities logo
Now is the time to help Japan, so I've taken part in the SIUniverse for Japan online auction to support GlobalGiving's Japan relief fund. For the next few weeks, fans of the 2009 graphic novel Secret Identities: The Asian American Superhero Anthology can bid on artwork and other items donated by Secret Identities artists and writers like myself.

I've donated a couple of pieces of artwork that will be up for bid. One of the items is a poster of an illustration of Hideaki Akaiwa, an ordinary office worker in Miyagi prefecture who was named "Badass of the Week" for refusing to wait around for rescue workers and venturing out on his own with scuba gear and duct-taped-together plastic wrapped around his legs to rescue tsunami survivors like his wife.

When I first heard about this badass, I kept thinking, "Damn, this is like a real-life Sea Hunt," as in that old TV show I've never watched but I'm familiar with from the "By this time, my lungs were aching for air" running gag during Mystery Science Theater 3000's Lloyd Bridges/Rocketship X-M episode and Bridges' own spoof of his old show during Hot Shots! Part Deux. I Googled Sea Hunt, stumbled into old covers from the comic book version of Sea Hunt and drew for the auction a sketch of Akaiwa that I modeled after those covers.

By this time, his lungs were aching for air.

Office worker and bad muthasava Hideaki Akaiwa

Like Akaiwa has done for his family members and neighbors, go lend a hand to the disaster victims now.

APRIL 9, 2011 UPDATE: Here's my illustration of Akaiwa, entitled "Hideaki Akaiwa: A Real Life Superhero," which is now up for bid. It's a 20" x 24" poster that's printed on heavyweight coated paper.

Fuck Steven Seagal. Hideaki Akaiwa is a more convincing action hero.

APRIL 17, 2011 UPDATE: Sold! To Gary in Arlington, VA!

APRIL 21, 2011 UPDATE: The other item I donated to the auction is an illustration of Harold & Kumar Go to White Castle that I did for my upcoming self-published print compilation of the most responded-to posts from this blog. The title of the book--and this is the first time I've posted the title here--is I Suck at Math: A Trio of 10 Articles About Pop Culture.

Kal Penn and John Cho laugh their asses off over Joseph Fiennes' attempt at an American accent while watching Cho's short-lived TV show FlashForward.

My Harold & Kumar drawing is a 14" x 23" poster that's printed on heavyweight coated paper. It's now up for bid.

MAY 10, 2011 UPDATE: Sold! To Quentin in Concord, NH!

Tuesday, March 29, 2011

Simp-Bionic Titan

Here's some artwork I did for my forthcoming print compilation of posts from this blog.

Lance is basically Nelson Muntz without the laughter.

Not since the demise of Terriers a few months ago have I been so pissed about a new and non-sucky TV show getting cancelled. Sym-Bionic Titan, a giant-robot cartoon filled with nods to '80s teen movies like Say Anything... and The Breakfast Club, has been my favorite Genndy Tartakovsky-created animated series. I also liked seeing Brian Posehn in a role that's the complete opposite of the moron he played on Just Shoot Me: Octus the super-competent robot and unexpected babe magnet.

I guess Cartoon Network needs more dumb game shows to put on its daytime schedule.