Showing posts with label Miklós Rózsa. Show all posts
Showing posts with label Miklós Rózsa. Show all posts

Tuesday, March 27, 2012

March Madness March of the Day: "Main Title" from Spartacus by Alex North

Now that's what's missing from the Starz channel's Spartacus: Vengeance: crew cuts.
Spartacus--the film version with Kirk Douglas in the arena, not the Starz show with a frequently topless Xena--isn't a perfect epic, but I prefer it over the 2000 Best Picture Oscar winner Gladiator. Plus, the more dully scripted and much less politically intriguing of the two Roman epics didn't put an end to the Hollywood blacklist, and it doesn't open with killer Saul Bass opening titles accompanied by a riveting and slightly discordant march by Alex North. The main title theme and much of the rest of North's Spartacus score seemed to be, as Jonathan Z. Kaplan theorized in the 2000 "101 Great Film Scores on CD" issue of Film Score Monthly magazine, an attempt to go against the grain of Miklós Rózsa-style epic scores (not that there's anything wrong with the stately Rózsa school of scoring from the '50s, but it wouldn't have belonged in a downbeat and cerebral epic like Spartacus).

Tuesday, June 23, 2009

AFOS: "Living in Paradise" playlist

A 2007 TCM promo by Exopolis
Airing tomorrow at 10am and 3pm Pacific on the Fistful of Soundtracks channel is the Fistful of Soundtracks: The Series episode "Living in Paradise" (WEB19) from July 21-27, 2003. WEB19 was a salute to one of my favorite cable channels, TCM, the greatest non-porno, non-sports channel ever. The cleverly programmed, commercial-free channel celebrated its 15th anniversary in April and launched the Classic Film Union, a film geeks' social networking site, earlier this month.

I borrowed the "Living in Paradise" title from an Elvis Costello track. I briefly went through a phase where I was naming AFOS episodes after Costello and Clash songs.

The first half of this playlist consists of themes from movies I first saw on TCM, from classics like The Great Escape and The Asphalt Jungle to lesser-known flicks like Richard Lester's The Knack... And How to Get It, which is now on Hulu. The Knack opens with my favorite John Barry movie theme that wasn't written for a 007 film.

The Knack... And How to Get It opening title sequence
1. Elmer Bernstein, "Main Title," The Great Escape, Rykodisc
2. Elmer Bernstein, "Main Title and Calvera," The Magnificent Seven, Rykodisc
3. Miklós Rózsa, "The Asphalt Jungle (Main Title)" (from The Asphalt Jungle), Crime Jazz: Music in the Second Degree, Rhino
4. John Barry, "The Knack (Main Theme)," The Knack... And How to Get It, Rykodisc
5. Henry Mancini and His Orchestra, "It Had Better Be Tonight (Instrumental)," The Pink Panther, BMG France
6. John Morris, "Springtime for Hitler," Music and Dialogue from Mel Brooks' The Producers, Razor & Tie
7. John Barry featuring the Voices of the Accademia Monteverdiana, "Chinon/Eleanor's Arrival," The Lion in Winter, Legacy/Columbia
8. Mark Knopfler, "Going Home (Theme of the Local Hero)," Local Hero, Warner Bros.
9. Duke Ellington Orchestra, "Main Title and Anatomy of a Murder," Anatomy of a Murder, Columbia/Legacy
10. Ray Charles, "In the Heat of the Night" (from In the Heat of the Night), In the Heat of the Night/They Call Me MISTER Tibbs!, Rykodisc
11. Miklós Rózsa, "Overture," King of Kings, Turner Classic Movies Music/Rhino Movie Music
12. Herbie Hancock, "Bring Down the Birds" (from Blow-Up), Blue Break Beats, Volume 4, Blue Note
13. The M-G-M Studio Orchestra, "Main Title (alternate version)," Singin' in the Rain: The Deluxe Fiftieth Anniversary Edition, Turner Classic Movies Music/Rhino Movie Music
14. Robert Preston, "The Shady Dame from Seville (Rehearsal)," Victor/Victoria, Turner Classic Movies Music/Rhino Movie Music
15. Miklós Rózsa, "Finale (extended choral track)," Ben-Hur, Turner Classic Movies Music/Rhino Movie Music

Repeats of A Fistful of Soundtracks: The Series air Wednesdays at 10am and 3pm.

Friday, June 19, 2009

"I Need to Score" T-shirt by Shelf Life

The Deuce's PopeyePete linked in a recent tweet to a bunch of ill exploitation cinema-related T-shirts by the Cleveland-based Shelf Life Clothing. Here's the illest of them all:

Finally a film music T-shirt that doesn't look dorky.

These are the legendary film music composers whose faces are on the shirt:

Love the shirt, but where's Elmer Bernstein?

Shelf Life's shirt design for their film music tee is way better than the shirt design I came up with for my CafePress store a long time ago:

Coming soon: a 'Horner Recycles' shirt.

'Morricone Rocks' T-shirt by Jimmy J. Aquino

In a hipster T-shirt market with too many racist companies and not enough Blacklavas, it's nice to see Shelf Life defy the market and be pro-Asian for a change:

'No Dogs and Chinese Allowed' was a musical number deleted from Snoopy Come Home.

I like that this Bruce Lee shirt's got the same colors as his Game of Death tracksuit. They ought to make panties in those Game of Death colors too because that would be a dope gift for my girlfriend.

Sunday, March 8, 2009

Composer name pronunciation key

"Joy, we're back in Brooklyn, alright? Alright? In Brooklyn, it's Joy, not Joie, okay? It's not Jackée, alright? It's Jackie. It's not Sade, alright? It's Say-dee, alright? Whatchu gonna call me next? Whatchu gonna call me? Spi-kay?"

--Spike Lee (Tommy Davidson), reminding his sister Joie (T'Keyah Crystal Keymah) to stick to Brooklynese pronunciations of names,
In Living Color

The most challenging part of playing film and TV score music on Internet radio is having to pronounce the composers' often baffling-looking names. Over the years, I've Googled the correct ways to read their names and compiled them to create a pronunciation key for myself. Here's an excerpt from it:

Maurice Jarre's Film Score Monthly Composer Collector CardBruno Coulais (Coraline composer): [coo-lay]
Christopher Tyng (Futurama and Rescue Me composer): [ting]
Craig Safan (Cheers and The Last Starfighter composer): [saw-fawn or sawf-on]
Elmer Bernstein: [burn-steen]
Ennio Morricone: [en-yo more-a-cone-ay]
Gustavo Santaolalla: [san-ta-oh-lah-yah]
Jan Hammer: [yahn hah-mer](*)
Leonard Bernstein: [burn–stine]
Maurice Jarre: [jar]
Michael Giacchino: [jah-kee-no]
Mikis Theodorakis (Zorba the Greek and Serpico composer): [thay-uh-doe-rahk-is](**)
Miklós Rózsa: [mee-kloash ro-zha ("zh" as in "leisure")](***)
Ramin Djawadi (Iron Man composer): [rah-meen juh-vaw-dee]
Randy Edelman: [eddle-man]
Tom Tykwer (Run Lola Run and The International director): [tick-ver]
Trevor Rabin: [rah-bean]
Wojciech Kilar: [voy-check kee-lar]
Zbigniew Preisner (Three Colors trilogy composer): [zbig-new prize-ner]

And now, here are some actors, singers, filmmakers or music supervisors whose equally challenging name pronunciations I've had to research or double-check before saying them on AFOS:

Alexandra Patsavas: [pot-saw-vuss](****)
Amitabh Bachchan: (uh-mi-taabh buh-chun)
Bobby Cannavale: [canna-vah-lay]
Chris Douridas: [door-ree-duss](*****)
Djimon Hounsou: [jie-mon hahn-soo]
Franka Potente: [frahn-kuh poh-ten-tay]
Krzysztof Kieslowski: [kzhish-tof kee-es-lof-ski]
Nina Persson (Cardigans frontwoman): [peer-son]
Seu Jorge: [say-oo zhor-zee]
Sidney Poitier: [pwah-tee-yay]
Zhang Yimou: [jahng ee-mow (rhymes with "cow")]

---------------

(*) Source: New England Jazz Radio Cooperative

(**) Source: "Once Banned, Now a Hero of Greek Music" by Ralph Blumenthal,
New York Times, October 23, 2000

(***) Source:
SoundtrackNet

(****) Source: "Music of 'The O.C.'" by Cheryl Corley, All Things Considered, April 24, 2004

(*****) Source: "The Man Behind the Music of the Movies" by Michele Norris,
All Things Considered, May 27, 2003