Showing posts with label DISGRASIAN. Show all posts
Showing posts with label DISGRASIAN. Show all posts

Monday, August 22, 2011

The style guide for A Fistful of Soundtracks: The Blog

Chester Cheetah finds the kids' horror franchise Goosebumps to be frightening? Chester Cheetah is such a pussy.
(Photo source: BACKYard Woods Explorer)
• Titles of songs, album tracks, short stories, TV series episodes, DVD or Blu-ray featurettes and cable channel or radio station programming blocks are always contained within quotation marks. Example from July 29, 2011: The "Rome, Italian Style" block on A Fistful of Soundtracks airs Mondays through Thursdays from 11am to noon. (However, even though Adult Swim is still technically a Cartoon Network programming block, the name isn't contained within quotes because Adult Swim evolved from a single-night block to a larger entity that Nielsen officially recognized as distinct from Cartoon Network in 2005, much like what happened to Nickelodeon's Nick at Nite.)

• Occupations or descriptive adjectives and nouns that appear before people's names are never capitalized. Example: constant self-recycler James Horner.

• Terms like "Filipino American," "Asian American" or "African American," which some writers prefer to hyphenate, are not hyphenated.

• The interpunct that used to be part of the Frito-Lay product name "Chee·tos" is absent whenever Cheetos is mentioned because of Frito-Lay's current official spelling, which removed the interpunct. Example: Why the hell does John Malkovich look like a human Cheeto during Transformers: Dark of the Moon?

• Numbers from one to nine are spelled out. Numbers above nine are written as figures (10, 11, 12, etc.) but are spelled out whenever they're the first words in sentences.

• The movie title Se7en and the procedural title Numb3rs maintain their unique spelling even though it looks stup1d.

• If a person is a Jr. or Sr., there is no comma between the name and Jr. or Sr. Example from January 13, 2009: Downey Jr. never drops character until the commentary is over.

• An ellipsis indicates a hammy pause. Example: "Dammit, Bones... this girdle you gave me for... my birthday... is too... constricting."

• Titles of movies, TV series, radio programs, podcasts, books, comic book series, magazines and newspapers are always italicized.

• Cardassians are whores for fascism. Kardashians are whores for attention.

Cardassians love to inflict many different forms of torture, like forcing their prisoners to watch Keeping Up with the Kardashians.
(Photo source: Overthinking It)

• Names of online magazines like Salon and Slate are italicized. Names of blogs like DISGRASIAN, Burnt Lumpia and MovieMorlocks are not italicized.

• A Corolla is a car I damaged while driving it when I was a teen. A Carolla is a racist douchebag whose ass will get damaged by a gang of Pinoy teens if he ever sets foot in Daly City.

• Names of races and nationalities like African, Latino and Filipino are capitalized, but racial adjectives like "black," "white" and "brown" are not.

• "Sit for Baines" is a Back to the Future prequel fanfic about teenage George McFly's bumbling attempts to get to better know his crush Lorraine Baines by babysitting her younger brothers. "Shit for brains" is Fox News whenever it refers to Common as a gangsta rapper.

• Though this is an American blog and the word "license" is always spelled with just one "c," the British spelling of the 007 movie title Licence to Kill is left unchanged.

• "Michele Bachmann" is spelled with just one glassy "i."

Tuesday, May 25, 2010

Lost, "The End": "I don't believe in a lot of things, but I do believe in duct tape"

Lost: The Animated Series by Michael Blaine Myers
As someone who's watched every single episode of Lost since the still-amazing pilot and recapped the series' entire fourth season for another blog (and never got paid for writing those recaps--as Chris Rock would say, what kind of gangster shit is that?), I'm still processing the events of Lost's lukewarmly received and sometimes frustrating series finale. I wasn't expecting the finale to answer every remaining question about the series' mysterious goings-on. How could it do so in one episode, even with an extra half-hour? I just wanted a finale that gave proper farewells to the characters and brought the goods action-wise like those eps when Sayid busted out his badass breakdance fighting moves, and "The End" delivered in the character and action sequence departments. But was all that time spent in the sideways universe during the final season worth it? I don't think I'm completely satisfied with the reasoning for the sidewaysverse. That whole business with the giant cork didn't make much sense either. Bullet time:

-My favorite recurring Lost theme was the conflict between a man of science (Jack) and a man of faith (Locke). The final season resolved that conflict beautifully, with Jack finally accepting Locke's beliefs in the specialness of the island and dying the way he wanted to (which was seeing his remaining friends leave the island safely) in a pitch-perfect final image that referenced the pilot's first moment and showed how much of an influence the Watchmen comic had on Lost co-creator Damon Lindelof.

-I'm glad Ken Leung's Miles, the character who provided the above one-liner about duct tape, lived to see another day. Bloggers like angry asian man and DISGRASIAN were disappointed that their favorite pair of Lost characters, the supercouple of Jin and Sun, was offed in "The Candidate" (some have even cried racism over the demises of the Kwons and Sayid), but I think the death of Miles, the show's sole Asian American regular and one of the few APA guys in prime-time who's neither a martial arts expert nor a coonin' buffoon, would have been a bigger letdown. (Speaking of Asian stuff, spoken-word artist Bao Phi wrote a nice post earlier this season about Lost's huge Asian American following.)

-I was also jazzed to see Miles' fellow freightie Lapidus alive after the submarine debacle in "The Candidate" because Jeff Fahey, who was underused on Lost but served as great comic relief whenever he did get screen time, is a master at making something out of nothing, ever since his laconic turn as the eccentric title hero of ABC's short-lived '90s procedural The Marshal. One of the reasons why the Star Wars prequel trilogy was an epic fail was because it lacked a Han Solo-esque figure who would wittily comment on the mystical goings-on and serve as a relatable audience surrogate. I like to think the Lost creators took notice of that flaw in the prequels, so they gave us not just one Han Solo-esque foil, but four: Sawyer, Miles, Lapidus and the not-as-cynical-or-snarky Hurley.

-The sci-fi geek in me who enjoyed all the time-travel material during my favorite Lost seasons, four and five, was disappointed that neither the nuke in "The Incident" nor the island's funky science was the reason for the sidewaysverse. The afterlife angle pretty much shot down my theory that Desmond or some other character with extraordinary powers created the sidewaysverse to hide his friends in there from the homicidal Smokey. On a superficial note, Sidewaysverse Kate looked slammin' in that black miniskirt.

-So Hurley and Ben are basically Mr. Rourke and Tattoo now? I bet the new island protector begins each morning by greeting everyone else with "Smiles, everydude, smiles!"

-Since when is Shannon the love of Sayid's life? I thought he was into Nadia. Whatever, man. I'm sure the Sayid and Shannon shippers got their panties wet that night. God, I hate that term "shippers." Other terms I hate are "squee" and "bromance." All those terms should be taken out back and shot and given a burial like the one Rick Rubin gave to the word "def" when he removed "Def" from the name of his label American Records.

-Yes! Lt. Van Buren is cancer-free! Woops, wrong series finale.