This is the ninth of 13 all-new blog posts that are being posted until this blog's final post in December 2017. Occasionally on Friday, I discuss the week's best first-run animated series episode I saw. The "Brokedown Merry-Go-Round" Show of the Week hasn't been a weekly feature for a long time, but sometimes, I'll catch a really good piece of animated TV shortly after its original airdate, and I'll feel like devoting some paragraphs to it despite my lateness to the party. Hence the rare "Brokedown Merry-Go-Round" Show of Last
Week. This is the 134th edition of "Brokedown Merry-Go-Round" Show of the Week! Stream "Brokedown Merry-Go-Round," my one-hour mix of original score tracks from animated shows or movies, right now.
The Monday after it premiered, I streamed on the Adult Swim site "Pickle Rick"--
Rick and Morty's most violent episode so far, as well as the show's most damning indictment of Rick and his treatment of his family, as he mutates himself into a pickle/human hybrid as an excuse to avoid going along with Beth, Summer and Morty to see a family therapist (special guest voice Susan Sarandon)--but I wasn't able to write about "Pickle Rick" until now. I was busy resuming work on
my prose novel manuscript and trying to finish marathoning
Fargo's third
season on FXNow right before FX deleted the entire season from FXNow.
Movie Pilot did such
an astute review of "Pickle Rick" (it's entitled "'Pickle Rick' Proved Beyond a Squanch of a Doubt That Rick Is the Real Villain of
Rick and Morty") that I'm not going to discuss and briefly summarize (instead of pointlessly recap scene-for-scene) "Pickle Rick" in a fashion similar to the
Movie Pilot piece, which is the same kind of non-recappy approach I've done with previous
Rick and Morty episodes. I'm just going to raise
a couple of points I haven't seen in other reviews of "Pickle Rick."
Danny Trejo is
an underrated voice actor. I had no idea Trejo voiced Jaguar, the racially ambiguous assassin Pickle Rick battles and then conspires with to get himself back home, until the end credits. I thought it was Clancy Brown the whole time. That's how effective Trejo is as a voice actor. Trejo really whitened up his voice in "Pickle Rick." He did an even better job as Enrique, Hank's not-too-bright co-worker, in my favorite later-season
King of the Hill episode,
"Lady and Gentrification," because he convincingly voiced a meek and non-confrontational character who's the complete opposite of all the ass-kickers he played in movies like
Desperado, the
Machete flicks and even
A Very Harold & Kumar 3D Christmas, an atypical Trejo movie where Elias Koteas, not Trejo, is the one who's doing all the on-screen carnage. Speaking of
King of the Hill, I'm not so excited over the rumors about Mike Judge reuniting with the
King of the Hill crew to make new episodes. It's just wrong for
King of the Hill to resume without the late Brittany Murphy. If
King of the Hill is going to come back to TV now, it ought to kill off Luanne, Murphy's character, off-screen. And no, not even a terrific and versatile voice actor like Pamela Adlon, who juggled several roles on
King of the Hill, including Bobby, would be a satisfactory enough replacement for Murphy as Luanne.
Trejo is always weirdly guest-starring in TV show episodes that make me emotional for some reason. "Lady and Gentrification" is a rare
King of the Hill episode that angers me because of the things Enrique, his daughter Inez and their family are forced to experience due to the gentrification of Arlen (caused by Peggy, of course), even though a certain quotable grievance of Enrique's is played for laughs ("They put salmon in the fish tacos, Hank!"). The unexpected friendship between Hank and Inez, whom Hank has been asked by Enrique to give a speech for at her
quinceañera even though Hank barely knows her, causes "Lady and Gentrification" to also be oddly affecting. Hank is understandably uncomfortable about being around Inez at first because the thought of a middle-aged man spending extra time talking to a teenage girl is never not creepy, but the friendship becomes kind of affecting when you realize Hank, after years of struggling to understand Bobby ("That boy ain't right") and not exactly getting along with the niece-in-law whom he and Peggy have to look after, has finally met a kid whom he could actually get along with. Trejo's guest shot on
Monk had the same effect on me as Hank's quasi-parental bond with a surprisingly non-sullen Inez did in "Lady and Gentrification": his hardened lifer character's gradual sympathy for both his cellmate Monk, whom he doesn't get along with at first, and Monk's search for the murderer of his wife Trudy in "Mr. Monk Goes to Jail" is oddly affecting too, and I wished
Monk brought back Trejo's character for another episode. In the
Monk series finale about the revelation of Trudy's killer, Monk should have sent Trejo to kill Craig T. Nelson.
In the case of "Pickle Rick," the episode's final scene before the end credits was what made me emotional, but not emotional as in somewhat moved, like when I saw "Lady and Gentrification" or "Mr. Monk Goes to Jail." The final scene in Beth's car made me frustrated, as in "Goddammit, Morty, be more aggressive about this shit that's been eating you up inside."
