|(Photo source: No Curves)|
Sometimes I'm just in awe of some of the people who read this blog. For instance, Edgar Wright stumbled last week into my Throwback Thursday discussion of the brilliance of The World's End as both an anti-gentrification satire and a midlife crisis comedy and retweeted it to his fans. And I know that writers from Bob's Burgers and the short-lived Motorcity, two animated shows I greatly admire, have read this blog because they've thanked me on Twitter for what I've written over here about their shows.
A Bob's Burgers writer is as amazing to me as, say, Rick Ross (ruh!) is amazing to some female fan who faints over getting his autograph. Now I wouldn't faint in the presence of either the controversial MMG impresario or a Bob's Burgers staffer--and I wouldn't say I'd get "the feels" around either of them because I'm over 21, and if you're over 21 and you go around telling people that you get "the feels," miss me with that asinine-sounding shit--but around that Bob's Burgers staffer, I'd be like, "So in episode S05E04, was H. Jon Benjamin actually blotto when he ad-libbed that turkey baster monologue? Was he? Huh, huh, huh, huh, huh?"
In another instance, I once blogged about regretting not buying when I was a kid an issue of Billy Nguyen, Private Eye, a largely forgotten indie comic book that remarkably featured an Asian American P.I. as the protag. My post caught the attention of Billy Nguyen artist Stan Shaw. Stan and I exchanged a few e-mails about Billy Nguyen (Stan turned out to also be an AFOS listener), and months later, he sent me in the mail a gift I'll always treasure: an issue of Billy Nguyen.
About a couple of months ago, I wrote about a now-defunct Canadian DJ mix podcast I miss hearing, Sounding Out the City. It was where I first encountered the late Amy Winehouse's "Valerie," and it was also where I first took notice of Mayer Hawthorne and TOKiMONSTA. The TOKiMONSTA track I heard on Sounding Out the City was "The World Is Ours," which flipped a classic Marvin Gaye/Tammi Terrell duet and is a tune TOKiMONSTA says she loves so much that she's never released it officially.
Back when I had a day job in the racist and misogynist shithole called the Silicon Valley tech world, Sounding Out the City helped make getting through that job, which I started to get bored with about four years into it, a hell of a lot easier. Sounding Out the City selector Rob Fragoso saw my post about his podcast and is now the latest person whose work I've admired to surprise me with an appreciative comment that made my day.
It turned out not to be the Ernestine Anderson "Love for Sale" that Rob featured on his podcast in 2009, but a completely different jam of the same name by Bay Area singer Lillian Alexander, as Rob realized several hours later. Come back to the ones and twos, Rob, we need you! Or if you're actually still mixing, the podcastosphere needs you! Some currently miserable Silicon Valley or Silicon Alley worker who's basically me eight years ago might need you!