|I'm looking forward to seeing Gravity Falls' other Time Paradox Avoidance Enforcement Squadron agents, Clean, Jaude, Dan and Vamme.|
After a couple of months of repeats, The Hub's Transformers Prime resumes its second season with "Hurt," an episode that's largely downbeat, aside from a silly reference to David Bowie's "TVC 15" that will sail over the kid viewers' heads and a comedic feud between the Insecticons and Knock Out (Daran Norris), a vain Decepticon reminiscent of Kevin Spacey's celebrity cop character in L.A. Confidential. In "Hurt," the Autobots and their human sidekicks keep vigil over the gruff Autobot soldier Bulkhead when he winds up comatose after the events of "Toxicity."
Bulkhead's two best friends, human tomboy Miko (Tania Gunadi) and wartime comrade Wheeljack (James Horan), aren't exactly fond of authority, and they defy the team's orders to stay put and not take revenge on Hardshell (David Kaye), the Insecticon who shot Bulkhead in the back while he transported back to the Autobot base. The shooting worsened an already-injured Bulkhead's condition after he was poisoned by the "Tox-En" inside the Iacon relic he was attempting to retrieve.
There's one great visual touch in the middle of "Hurt" where the camera follows Miko around a cavern as the tiny human runs for cover and nearly gets squashed by both Wheeljack and Hardshell as the giant warriors beat the crap out of each other. The sequence captures well both the thrills of a first-person shooter and the danger the reckless Miko has put herself into, and yet, it somehow manages to avoid becoming visually incoherent and confusing like Michael Bay's live-action Transformers movies, where you can hardly tell if you're looking at a close-up of a Transformer's elbow or--gaaah!--testicle.
A cartoon with even more sophisticated writing than Transformers Prime is Gravity Falls, which, in its latest episode "The Time Traveler's Pig," references in its title a popular novel that only the adult viewers are sure to be familiar with (The Time Traveler's Wife). In "The Time Traveler's Pig," Dipper once again takes advantage of a futuristic device to try to get Wendy to like him as more than just a friend. This time, it's a time machine in the form of a tape measure that, with the help of Mystery Shack employee Soos, he steals from a goggles-wearing figure we've briefly seen before in earlier episodes, Blendin Blandin (Justin Roiland, a.k.a. the Earl of Lemongrab from Adventure Time), a time traveler from the year 207̃012 (pronounced "20-snyevendy-12," and yes, that is indeed a tilde above the 7).
Dipper uses the tape measure to alter history so that the carnival game he plays to impress Wendy doesn't end with a baseball giving her a black eye, which causes her to wind up in the arms of douchey, skinny-jeaned Robbie. The kid's Groundhog Day-style attempts to change the game's outcome amusingly lead to one disastrous result after another (at one point, a bunch of baseballs land on Wendy's face). But when a particularly successful attempt to keep Wendy away from Robbie interferes with his twin sister Mabel's day of fun with Waddles, the carnival pig she won (the same pig Mabel cuddles with in the show's opening titles each week), so that Mabel's rival Pacifica ends up winning Waddles instead, Dipper must choose between what his heart wants and what Mabel's heart wants.
|(Photo source: Gravity Falls Wiki)|
The inspired time travel humor and the clever connections to past episodes aren't the only remarkable elements of "The Time Traveler's Pig." The conflict over Blandin's time machine that episode writers Aury Wallington and Alex Hirsch bring into Dipper and Mabel's friendship--these two siblings who always look out for each other have never been seen fighting with each other until now--adds some dimension and heart to the timey-wimey hijinks. One thing Gravity Falls pulls off well in addition to absurdist humor is its melancholy side, and there are a couple of passage-of-time montages in "The Time Traveler's Pig"--one of them takes place while Dipper is heartbroken over Wendy agreeing to go out with Robbie--that are as beautifully drawn and animated as the Koyannisqatsi-esque fast-motion images in the opening titles. Gravity Falls just can't stop continuing to be impressive each week.